Keynote: Genes, Technology and the Evolution of Culture
Insights from the neanderthal genome, on gene-culture co-evolution, on how technology evolves, and on what drives innovation.
The 2011 Festival of Ideas was held between June 13-18 and focused on the search for an Australian identity in thought, literature, history, art and architecture, politics, foreign policy and education. The Festival reviewed how much the distinctive landscapes of Australia have shaped national identity, both in its bio-diversity and the brilliant way it has been imagined and depicted by artists from the ancient art of aboriginal culture to the present day.
All the sessions from the Festival of Ideas were recorded. We invite you to watch these session by clicking on the "Watch Now" link under each session.
Insights from the neanderthal genome, on gene-culture co-evolution, on how technology evolves, and on what drives innovation.
How has the genetic revolution changed our ideas of the human body and human identity? How has it changed diagnosis and treatment of serious illnesses?
Suzanne Cory (Chair)
Walter and Eliza Hall Institute
The University of Queensland
Walter and Eliza Hall Institute of Medical Research (WEHI)
J Craig Venter Institute
Does the genetic revolution open the way to feeding the world and providing it with safe, renewable sources of energy and power? Why does the public react against genetically modified food? Are genetically modified crops the only way forward for the world
Robert Saint (Chair)
The University of Melbourne
Commonwealth Scientific and Industrial Research Organization (CSIRO)
The Australian Wine Research Institute
University of Melbourne
Institute of Molecular Bioscience at the University of Queensland
What issues of privacy arise from a person’s genome being full described? What moral issues are at stake in pre-natal diagnosis of potentiality for serious illness in the foetus? Why do indigenous peoples reject genetic testing?
Bob Williamson (Chair)
The University of Melbourne and Monash University
Macquarie University
Melbourne Institute for Indigenous Development at The University of Melbourne
The University of Melbourne
The wartime memoirs of Charles de Gaulle open with a celebrated evocation of his native land: 'a certain idea of France.' As such they express the widely held view that the nation is the most significant focus and resonant form of collective identity;
Princeton University
More details about this session will be released closer to the date.
Kate Darian-Smith (Chair)
The University of Melbourne
University of Melbourne
University of Melbourne
The Australian Centre at The University of Melbourne
Since the drafting of the American Constitution in 1787, Written Constitutions have increasingly come to be viewed as an essential symbol of the modern state. They have also frequently been seen as emblems of identity: not just something that a countr
Stuart Macintyre (Chair)
The University of Melbourne
Princeton University
National histories establish a deep and defining relationship between a people and place. In creating their own national history the settler societies confront the predicament of their novelty.
Kate Darian-Smith (Chair)
The University of Melbourne
La Trobe University
Australian National University (ANU)
The University of Melbourne
University of Sydney
National, ethnic and religious identity have been major drivers of deadly conflict both between and within states in the past, but looking to the future there are more reasons for optimism than caution.
Australian National University
Are there any viable solutions left to reconciling conflict in the Middle East? Can the idea of two states –Israeli and Palestinian – be made to work?
Ghassan Hage (Chair)
The University of Melbourne
The University of California
School of Philosophical, Historical and International Studies at Monash University
Centre for Dialogue at La Trobe University
School of Government and Society at the Academic College of Tel-Aviv-Yaffo
How can peace be assured between these conflicting national identities and states?
Amitabh Mattoo (Chair)
Australia India Institute
Asia Calling
The Australian
Institute of South Asian Studies and the Asia Research Institute at the National University of Singapore.
The University of Western Australia
In this session rehearsed readings of extracts of Australian plays from 1955 to the present offers an insight into how Australian identity has shifted through this period.
University of Melbourne.
This lecture would look at current Australian utterances and manifestations of identity, and attempt to connect them to where we came from and where we are bound.
Can we have a unified sense of Australian identity given the multiplicity of Australian culture and society? How does indigenous Australia shape an overall sense of Australian identity? How does the immigrant experience shape it?
Chris Wallace Crabbe (Chair)
The Australian Centre, University of Melbourne
Griffith Review
Sleepers
Monash University
How singular and distinctive is the Australian landscape? Does the landscape/cityscape/suburban experience still shape Australian identity?
Chris McAuliffe (Chair)
The University of Melbourne
Centre for Environmental Stress and Adaptation Research
The University of Melbourne
Australian National University
Monash University
The University of Melbourne
How much has Australian identity, past and present, been shaped by Australian humour?
The Faculty of Arts and the Graduate School of Humanities & Social Sciences will be hosting refreshments at Tsubu Bar on campus for attendees of this event.
Mic Looby (Chair)
The Australian
Taking its cue from Constable's famous remark that the landscapist was engaged in making 'something out of nothing', the lecture examines the genre's repeated preference for the non-descript, the unenclosed, the left-over and the insignificant.
Chris McAuliffe (Chair)
The University of Melbourne
UC Berkeley, USA
Does the Australian landscape still exerts a power over contemporary art. If it does, what are the distinctive qualities of the Australian landscape which move artists today?
Patrick McCaughey (Chair)
The University of Melbourne
Following a turn away from the artistic representation of landscape with the advent of post-modernism and post-national discourses, artists have again sought to engage with the landscape, with particular reference to indigenous and colonial histories; to
Max Delany (Chair)
Monash University
Faculty of Art and Design at Monash University